9.10.2012

kickin' it OLD SCHOOL style: Laico's

RER 8.18.12

JAR 8.18.12
 Nestled and unexpected in the middle of a completely residential block in Jersey City, rests Laico’s, a small Italian restaurant, hosting a bar and around fifteen tables. You almost stumble on the valet parking surrounded by homes and driveways. At first glance the façade almost blends into the cityscape, but then the awning is spotted, something different from the long line of residential homes. The awning covering the doorway, felt old school and dated; a decadence that is almost out of style.

The interior décor was old and heavy, wooden and stone. Plastic plants were also strewn throughout the restaurant, only emphasizing how outdated the decorating was. In a way though, these details felt classic, how you imagine many older Italian restaurants would look, like from the movies. They spoke of luxury, just like the valet parking on the residential block, lifting the importance of every patron.

It was a noisy Saturday night in the first room with tables and the bar, so we opted for the quiet room in the back. The front room was jumping, a birthday party or some kind of celebration was taking place, so there was drinking and ringing laughter. Three or four steps down was the quieter back room, just a family and a couple on a date. We sat at a table set for four close to the swinging door of the kitchen and the server station. The traffic wasn’t excessive, and neither was the noise. Light shone through a stained glass window with “Laico’s” in cursive, reminding us where we were, another out of date touch.

After seating ourselves we were given the specials menu and the regular menu— jammed packed with all the Italian favorites one would expect. It had pastas with a wide variety of toppings and sauces, as well as meat main courses served with the daily vegetable or a side of pasta. Typical old school Italian. I was imagining the lengthy menu as heavy portions and lots of sauce, heaping bowls of steaming pasta, and cheese for days.

After making the mistake of asking for more time, as the waitress made her rounds in the small dinning room and finally came back, we ordered.  I chose my dish from the specials menu and my date picked form their everyday fare.

Laico’s seems like the kind of restaurant where the clientele and the wait staff become a family, like a restaurant full of regulars. It also felt like the kind of place where the waitresses and waiters work for a very long time, getting used to the crowd and becoming familiar faces. The few I saw there that Saturday night were like career waiters, very familiar with the trade, and have probably worked for Laico’s for years. Though everything was mechanic and ritualized, each table got just the right amount of attention.

We were given warm bread—delicious, airy yet dense, hearty and hot—a great indicator of what was to come. A house salad came shortly after, bland and almost superfluous. The salad was large and decorated with tomatoes, red onions and lots of salad dressing. We ended up using the salad almost as a pallet cleanser in between the appetizer and the entrées.

 For an appetizer we picked a polenta starter, which was, pan-fried crisp and smothered in a sweet and savory creamy Marsala sauce and earthy mushrooms. The inner texture of the polenta was drier and more crumbly than expected, but the sauce held it all together—smooth and meaty countering the grain of the polenta. It was a decent sized appetizer, perfect to appease two bellies until the entrees arrived.

I ordered the cockles, mussels, sausage spinach and linguine served with a white clam sauce, which was one of the day’s specials. What was placed in front of me was a garden of shells filled with perfectly cooked seafood, and it was enormous. Taking all of the succulent meats out of their strewn shells proved to be a task but well worth it. The linguine was cooked to a nice al dente and drenched in a buttery white wine sauce. Though it was not bursting with flavors, it allowed for the admiration of the seafood and the rustic sautéed spinach and the salty sliced sausages. I enjoyed the marriage of the light seafood with the more substantial sausage and the earthy spinach. Initially the balance was lovely and the varied textures created interest, but eventually the butter and salt beat out the seafood and even the pasta couldn’t mask it. At the end, I opted for finishing up the scrumptious seafood, rather than wasting space on the not so special pasta.

My date ordered a chicken and shrimp parmesan combination, with a side of spaghetti. The dish only really looked like two heaps of red sauce, the other ingredients hidden, with a little floating side dish of pasta with the most basic of sauces on top. The portion was definitely not as large as we were expecting, especially since it was a combo, and the taste was ok. Some of the chicken breading was a little burnt, which ruined some bites, with the acrid taste. There were only a few shrimp, not even enough to get a taste for the quality or technique. The side pasta, as it is most times, was nothing special, but necessary since the combo was small. This combination was kind of ordinary and it was not even filling. The flavors were monotone, but the chicken and shrimp both felt like good quality ingredients.

After our plates were cleared away and we looked over the dessert menu, it was a while before our waitress found her way back to us. She got involved in a lengthy conversation with a group at another table, clearly regulars that were aware of her life and circumstances. We were able to overhear most of it at our table, unfortunately.

While waiting for the Italian poundcake and cappuccino we ordered, we were also privy to another conversation I wish we didn’t overhear. It was our waitress and another waiter discussing tips, expressing their disappointment in how the people were tipping that evening. I felt like that was a very inappropriate conversation to be having in earshot of patrons, just as a mark of lack of professionalism. It really turned me off.

The poundcake, also was a turn off. It was warm, served with ice cream topped with some chocolate drizzle and whipped cream, but the cake was floury in the mouth. It felt dry and course, almost like it was overworked in the kitchen. The dessert definitely left dinner at a low note for me, as well as wondering when leaving the restaurant if our tip was to the satisfaction of our waitress.

Even though Laico’s in some ways felt out of style, its traditional atmosphere and food are disappearing. I would definitely like to try some of the other items on the menu, as the list goes on and on of delicious potential. It is a place I would go back to when I am longing for simple classic Italian, rustic atmosphere, and a long lost luxury. 
RER
8.18.12
RER 8.18.12
JAR 8.18.12
 


9.07.2012

TASTY on Thames: Tallulah on Thames


RER 8.23.12
RER 8.23.12

On one of the main streets in the bustling Newport, Rhode Island, sits a house on the corner, blue and white, understated, and unpretentious. The hostess, co- partner stood outside, making sure reservations and the table arrangements were running smoothly, with a smile. We were lead through the front door of the house, which was on the right side, passed the large windows revealing the subtle interior of Tallulah on Thames.

The theme was black and white; white tablecloths, the servers wore black pants and shirts with thickly black and white striped aprons, black chairs, white painted tin ceilings. The décor was very detailed, but in many ways wanted to express a subtle nonchalance and ease. An open shelf lined the wall above the window to the kitchen, with cubby holes carrying books about food in various languages. Figures of animals (pigs, lambs, cows) were on the bookcase as well as some of the counter tops by the kitchen. The lighting fixtures were extremely elegant and juxtaposed the directed laissez-faire of the rest of the décor, making the space creative and contemporary. This was just the dining area of the first floor.

The daily menus, dinner and wine, were staged on a sleek clipboard, looking straightforward and effortless. As we found out, the menu is always changing, and this clipboard presentation allows for that with ease. After studying the menu and asking our sever questions we decided on the prix fixe that starts at $55 as a base point and substitutions add to the price.

As our server put our bread and butter on our table, he described the ingredients and even where they were from. Our butter that night was from a Vermont creamery, topped with farmer micro greens and fleur de sel. The butter was creamy and smooth, and transformed when the mouth stumbled on some of the fleur de sel or grasped some of the tiny vegetation. Less impressed with the bread, awfully stuff and crusty, but obviously fresh and crafted with care.

For an appetizer we had a roasted beet salad—rainbow colored beets toasted in with smooth goat cheese, fennel shavings, micro greens, punctuated by “pumpernickel soil” (ground up pumpernickel croutons). The beets were roasted till soft, though some resilience remained, pairing nicely with the smooth cool goat cheese, and the delicate feel of the vanishing micro greens. The presentation of the dish was reminiscent of a vegetable garden, the pumpernickel soil as a sandy base, sporadic and hidden underneath the vine- like micro greens and fennel, and the rose and yellow colored beets the bounty.

The foie gras with a cherry reduction, regional peaches, croutons, a sweet corn sauce and other garnishes, was our other appetizer. Unfortunately there was a flat line in texture, other than the welcomed crunch from the crouton. The salty foie gras and the peaches kind of had the same silky smooth feel in the mouth, and many of the other components (decorative?) were sauces that slid through the teeth as well. The cherry reduction was very tangy and took over any bite that it was a part of, and did not go well with the other elements of the dish, though the sweetness, when in correct proportion, helped to balance out the salt and fat of the foie gras. A wanting difference in texture was found in the crunchy crouton. Though, that too seemed to be constructed in duck fat, making the appetizer even heavier and feeling greasy. The corn sauce was a lovely stroke of color and very sweet like ripe white corn. The addition of a few thin slices of fennel was great too to try to balance the heaviness of the foie gras. It added something fresh, light and wet, with a strong flavor to cut the fat, but not enough to transform the flavor.

As one of the prix fixe entrees, swordfish was rested on a bed of pesto-basil Isreali couscous, surrounded by colorful melon, tomatoes as well as more shavings of fennel. The swordfish was well seasoned and could stand up well on its own, but the accoutrements enhanced and created layered flavor combinations that felt different with every bite. The sweet melon contrasted sharply with the meatiness of the fish, cooling the mouth. Though, I was hoping the melon would be a little cooler to create another kind of contrast. The acidity of the grape tomatoes, the scant raddish and fennel, kept the dish bright, while the pearl couscous and the fleshy fish gave the dish substance.

The bomber scallops, that was paired with truffled mash potatoes, corn varieties and onion varieties. The plating was very pretty and helpful for the whimsical dish, which had two plays on ingredients. There were three kinds of corn on the plate; traditional corn pieces, little mini corns and the fun popcorn. Each gave a different distinct corn taste and fun texture. I especially enjoyed what the light popcorn brought to the dish, a playful crunch and airy lightness. Another play was the small pearl onions that were sweet and sweating, as well as the scallions that played on each other, mimicking texture and taste. The truffle mashed potato decoration also added a nice texture to the dish as well as new flavors. There was a nice control of truffle, which many times can be overwhelming and overpowering, but the aroma and taste was just enough to enhance.  A nice crust on the scallops, though they might have been slightly over cooked to my liking. The dish did lack color, as half the white plate was exposed and all the ingredients were varying shades of yellow or white. The only vibrant color that did stand out was the rich dark green of the chives.

The prix fixe dessert was a fennel panna cotta, topped with blueberries, fennel leaves, homemade granola and ginger. There were so many different flavors and layers, in this dessert, which made it truly an experience. The granola was warm which countered the smooth panna cotta, placed in a non-traditional dish, long and shallow. There were large grains of salt in the granola, which transformed the dessert into sweet and savory, as the menu lists the desserts. Salt and the sunflower seeds in the granola added the savory meaty side to the dessert. The ginger was spicy and crunchy, the blueberries mushy, and the torn pieces of mint made every bite with it sing.

The other dessert was what the menu called “Sweetberry Farm Taste of Strawberry.” The plate was littered with plump fresh strawberries and the other elements; dollops of mascarpone mousse, basil gel, lemon crumble and strawberry meringue were strewn on the plate as well. The basil gel also appeared in the swordfish dish, adding the savory component to the dessert. The lemon crumble felt like short bread and was the only crunch on the plate. The strawberry meringue was similar to soft fortune cookies, sweet and shiny. Just as in the other dessert the mint garnish served as an enhancer.

The presentation of the dishes was rather contemporary. The chef left a lot of negative space on the plates, creating works of art, but not necessarily practical dining. With the scallop dish, the plating proved useful, kind of directing the diner and her bites. Each swirl of truffled mash was accompanied by a scallop and some of each of the other ingredients, creating the perfect bites. Other plating became too deconstructed, making it difficult to decipher garnish from enhancer. This was true with the foie gras appetizer or the strawberry dessert. There did not seem to be any rhyme or reason, lackadaisical, making it difficult to eat, though staging an experiment for the mouth, only not all the pieces went well together.

Many ingredients made appearances in multiple dishes throughout the meal, which I really appreciate. It created almost a common thread that lead us through dinner. Fennel appeared in dishes, from the appetizers to scant pieces in the desserts. The fennel, bright and distinct, was thinly shaved making it hardly perceptible but still added the element of freshness in each presentation. It helped to create balance in the heavy dishes, cutting the fat and added a cleansing dimension. A basil oil also brought color and a little bite of freshness with the couscous that accompanied the swordfish. This same oil brought a savory note to the sweet and fresh strawberry dessert, connecting to completely disparate dishes.

In researching our dining options, looking at Tallulah’s website, the menu changed every day. Mostly subtle variations of ingredients or combinations mostly, but there were also larger protein differences as well. The chef’s creativity and familiarity with the ingredients is personified through the changes. This also demonstrates the importance of the freshness and availability of the ingredients to the chef and the vision of the restaurant. The menu also has a seasonal tilt, which underlines that importance. The freshness and the locality of the ingredients can be tasted throughout the dishes, from the scallops and swordfish, to the butter and the ripe strawberries.

The website for Tallulah on Thames does warn its patrons that seatings are two to two and a half hours, but we were there closer to three hours. The service wasn’t slow, the servers were attentive until almost the very end, but the gaps in between the courses were quite long. We could almost feel our dishes being made, and our servers gave us updates on the progress of our food. Though the leisurely dinner was enjoyable, giving us time to savor, enjoy and discuss, it could be inhibitive. Long wait time between courses though, is not indicative of quality, though Tallulah’s had no shortage of that.

If ever back in Rhode Island, I would be tempted to go back to Newport for a fancy meal at one of Tallulah on Thames’s tables. The food was scrumptious, the quality outstanding, and the innovation stunning, but some of the concepts might have been too contemporary. The food was not always straightforward, which at times was a disadvantage but interesting. If looking for a delicious culinary and visual adventure and experiment, I would definitely suggest Tallulah on Thames. 
RER
8.23.12
JAR 8.23.12
RER 8.23.12


9.06.2012

FoodFacts: ICE CREAM


JAR 8.24.12
I scream, you scream, we all scream for… ICE CREAM! That we do. The so-called summer time treat, cooling and refreshing, and friendly all year round—ice cream.

Ice cream has a long history and has gone through many shifts and changes. Beginning with ice drizzled with fruit juices, to flavored ice and sorbetti, to present day dreamy creamy ice cream. With a presence in ancient China, to the Roman Empire, to other European countries in the 16th century, and strong advancements in the art of ice cream confection in the United States, ice cream has roots all over the world.  Initially, ice cream and other assorted ices were delights of the upper classes, coveted by emperors and enjoyed at fancy dinner parties.[1] But now it is for the masses, easily accessible, and all over the place, all year round. America is the largest consumer of ice cream in the world,[2] but it appears that the number of pints of ice cream that the world ingests is on the rise.

The Science
Sugar ratios in frozen treats like gelato, ice cream, sorbet, etc., really help to control the texture of the final product. Once the sugars are dissolved in the liquid, the sugar molecules actually prevent the liquid from freezing all the way, and just lowers the freezing point of the whole mixture. Which means that ice cream and other frozen goodies are just tiny ice crystals that are suspended in the sweet liquid that will not freeze. The ratio of sugar to liquid has to be just right; too much sugar will result in sweet soup and too low of a sugar content will create a rock hard dessert. The best ratio, according to Alton Brown, is a 7 ounces of sugar to 16 ounces of liquid, which will produce a scoopable and malleable dessert.[3]

To create the smooth texture that ice cream is known for, there has to be not only the tiny crystals but also the air content has to be incorporated into the mixture correctly. That is where the ice cream maker comes in. This contraption was first seen in 1843 and created by Nancy Johnson (from New Jersey, though this seems to be disputed). It once was a container which was filled with the mixture, surrounded by a bucket of salt and ice, operated by a crank, which was churned by hand. The churn on the inside, would scrape all the ice crystals that were forming on the walls of the inner can, while mixing in the air. Now there are all sorts of contraptions that get this job done, commercially or at home on the kitchen counter.

The Rules
The Food and Drug Administration in the States, has set up various rules and guidelines that ice cream has to meet. This ensures that the customer is buying consistent ice creams and that she knows the product she is purchasing. The milk used for the ice cream has to be pasteurized, this is extremely important as milk should be a major ingredient. Regular ice cream must contain a minimum of 10% milk fat, which counts as a solid according to the FDA. While reduced fat ice cream has a minimum of 25% less fat than the regular ice cream made by the same brand. Another category, light ice cream, is supposed to have 33% fewer calories as well as 50% as much fat than that regular ice cream (still of the same brand). Low- fat, yet another class of ice cream, contains 3 grams of fat per half cup serving, while nonfat has a maximum of .5 grams for the same size serving. There is a minimum standard that each gallon of ice cream is required to contain 1.6 pounds of total solids and the gallon cannot weigh less than 4.5 pounds. Egg yolks can provide up to 1.4% of the solids. [4]

Quality labels are also required of ice cream manufacturers as regulated by the FDA. “The differences in quality relate to product packaging, amount of air in the ice cream, ingredient quality and price.” [5] The highest quality of ice cream, Super-premium ice cream, is defined as having low air content, high fat and is also produced with the best ingredients. Premium, the next step down, will have higher fat content and less air than regular ice cream (which meets the FDA standards for ice cream as discussed above). The higher the air content, the lower the quality of the ice cream and probably the lower the price, these even feel lighter than higher end ice creams.

There are even regulations on flavoring. If the product is predominantly made up of artificial ingredients for flavoring, the packaging must state the word “artificial” as a prefix to the common flavor name in its title. [6]

The Styles
Italian style ice cream, referred to as gelato, is less airy than the other varieties of ice creams. This style relies on milk, rather than creams or egg custards which results in a lighter frozen dessert. Then there is what is generally thought of as American style ice cream, which revolves around cream, a little heavier than just milk, so the end product is heavier. French style ice cream is the richest and heaviest of them all, based on a egg custard, that involves cooking, tempering and a lot of stirring, even before it is set to be churned.

Aside from the science, this gets a little complicated. According to Alton Brown, there are two schools of ice cream. There is what is called the Philadelphia style, which is also called the American style. But there is also New York style ice cream, comparable to French style ice cream, more of a frozen custard (I know, I know, Philadelphia and New York are both in America). This seems to be a little known fact, however, because most sources, other than Brown, provide that Philadelphia, American and New York styles are all the same. Brown does mention that “older cookbooks” refer to this custard type as New York style.[7] The New York Times article, “Egg-free Ice Cream Lets Flavors Bloom,” written by Melissa Clark in 2010, refers to the eggless variety as Philadelphia or American style, but does not include New York.

What we are most accustomed to and what is more available to us, via grocery store and even ice cream shops, is the New York/ French style, the thick, smooth, heavy and dense frozen dessert. As mentioned earlier, this style requires much more work. The milk or cream, sugar, eggs or just the yolks, along with the flavoring must be cooked all together, slowly over low heat. That is where the custard part comes in. All those elements are essentially the recipe for custard. This then has to cool even before it can be transformed into ice cream. Not only is the texture generally smoother than, Italian and American styles, it is much more decadent. There is a higher fat content, due to the eggs, which only adds to its heavier texture. But this is the ice cream that most of us know and love, which we turn to in times of angst or as a refresher on a hot day.

Though in reading the article by Melissa Clark, it appears Philadelphia style ice cream is rising in popularity. It is an old method of making ice cream, but it is becoming trendy, as more and more people are discovering organic produce and food allergies seem to be on the rise. People she interviewed said that this kind of ice cream was purer, and allowed for the flavors and ingredients to be the stars of the frozen treat, rather than being hidden under the heaviness of the eggs.[8] Alton Brown, is of a similar belief. In his episode of  “Good Eats: Churn Baby Churn,” he proclaims he is a purist when it comes to ice cream. He says, “[W]e in the ice cream under ground believe that ice cream should be just that, milk or cream, frozen with sugar and flavorings. That’s it. No double boilers….”[9] The flavors are more intense and tangible, while the Philly ice cream on the whole is less heavy. Part of the allure of this according to Clark’s article, is the ability to eat more. Where the richness of a custard ice cream gets heavy and repetitive, the lightness of this Philly doesn’t overwhelm the belly. The downside though, is that this variety of ice cream tends to freeze to be pretty hard, and many chefs dabbling in this school suggest the addition of a small amount of alcohol or a liquid sweetener.[10] These extra sugar molecules will cause the mixture to freeze less and be softer.


The Flavors
The best part, the flavors! Now there are so many different flavors, and creative ice cream makers all over the world are inventing new ones, probably right now, at this very second. The mixture for ice cream is almost like a blank canvas, only with a few requisites. It allows for the inclusion all kinds of ingredients, flavors, combinations and experimentation.

 Vanilla though, is the most sold and consumed in the world. It is the most popular flavor, even beating out chocolate by a large margin.[11] Compared to all the new, exciting, unique and creative flavors out there, vanilla still reigns supreme, its classic comfort food. Vanilla can top a wide variety of desserts, from a dense chocolate cake to a peach cobbler. It is definitely the most versatile flavor available.

Flavors now are even created to recreate and re-imagine the world’s favorite desserts; cakes, cookies, cobblers, candies, even crème brulee. So many ingredients are being tossed into ice cream mixtures for texture, taste and originality. Even traditional flavors are being given new spins in more contemporary directions, elevating layers of taste and texture.

There are flavors that are bringing in savory elements, like red beans and avocados, not just the old school pistachios or nuts. This is yet another way to bring the contemporary into the old school creation of ice cream, making the frozen dessert multi dimensional and exciting.

Now, try out your own ice cream creations, here are two recipes to start you off: Philadelphia/ American style and New York/ French style. Enjoy!!

*Be sure to check out my sources. page, where there is a complete works cited for this FoodFact.
RER
9.5.2012
RER 11.2011
 


[1]Ice Cream Facts http://weirdfacts.com/fun-facts-a-stuff/71-ice-cream.html
[2] Wikipedia, Alton brown, Weirdfacts
[3] Alton Brown, Good Eats episode “Churn Baby Churn”
[4] FDA Ice Cream Regulations http://www.ehow.com/list_7480057_fda-ice-cream-regulations.html, United States Department of Agriculture Standard for Ice Cream
[5]FDA Ice Cream Regulations  http://www.ehow.com/list_7480057_fda-ice-cream-regulations.html
[6] FDA Ice Cream Regulations http://www.ehow.com/list_7480057_fda-ice-cream-regulations.html
[7] Alton Brown, Good Eats episode “Churn Baby Churn”
[8] Melissa Clark, “Eggless Ice Cream Lets the Flavors Bloom,” nytimes.com
[9] Alton Brown, Good Eats episode “Churn Baby Churn”
[10]Melissa Clark, “Eggless Ice Cream Lets the Flavors Bloom,” nytimes.com
[11]Ice Cream Facts http://weirdfacts.com/fun-facts-a-stuff/71-ice-cream.html